Huggins skill at capturing the spirit and character of his animal subjects was second perhaps only to Landseer. In his oils he often used a heavy white ground and transparent pigments, creating an effect of luminescence ... He was a man of great character, described on his gravestone near Chester as: ‘… a just and compassionate man, who would neither tread on a worm nor cringe to an emperor." - Lot notes

1. Self portrait of the artist with his chickens
signed and dated 'W. Huggins/1858' (lower right)
oil on canvas
21 x 17 in. (53.3 x 43.2 cm.)
2. Chuck, Chuck, Chuck
signed and dated 1860
oil on board
11 x w: 15 in (27.9 x w: 38.1 cm)
3. In The Cool Shade
signed and dated 1870; bears labels verso, and exhibition label from the Walker Art Gallery, oil on board,
47 x 62cm (18 1/2 x 24 7/16 in).
4. The Stoic
signed and dated 'W Huggins/1852' (lower left)
oil on board
63 x 77 cm. (24 3/4 x 30 1/4 in.)
5. Study of a terrier, sitting before a Cantonese famille rose vase
signed and dated 'W.Huggins/1868' (lower right)
black, white and red chalk and watercolour, heightened with touches of white, on buff paper
21 x 17 in. (54.6 x 43.2 cm.)
6. Portrait of a Newfoundland (detail)
signed and dated 'W. Huggins/1869.' (upper left)
oil on board
15 x 12 1/2 in. (38 x 32 cm.)
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