Hampshire Maps - 1529, 1626, 1892

Hurstbourne Tarrant, Hampshire (where Anna Lea Merritt lived from 1890 until 1930) is about 5 miles north of Andover. Below is an old map of 'Hant Shire' (detail above) and another of 'Southamptoniae' (I love the images:). If you aren't familiar with Hampshire ... start at the bottom of the map - you'll see part of the Isle of Wight. Follow the Port of Southampton northward - up through the valleys of the Anton and Test Rivers and you'll find Andover. (There is also an 1892 map of Hampshire from George Phillp and Son.)
Hant Shire. 1626 John Bill from An Abridgment of Camden's Britannia

Southamptoniae. 1599 Pieter Van der Keere

Hampshire. 1892 George Phillp and Son

http://en.wikipedia.org/wiki/River_Anton
http://en.wikipedia.org/wiki/River_Test
http://riveranton.blogspot.com/
The River Test - BBC article

Hurstbourne Tarrant, Hampshire

Anna Lea Merritt made her home at The Limes, Hurstbourne Tarrant, near Andover, Hampshire, England from 1890 until her death on 7 April 1930.

Below are two postcards and a photograph that show the beautiful area around Hurstbourne Tarrant.

photo courtesy 'dpirot'

1936 photo scene

Anna Lea Merritt

Born September 13, 1844, Philadelphia, Pennsylvania, U.S.
Died April 7, 1930, Hurstbourne Tarrant, Hampshire, England.
"A versatile artist and writer, Anna Lea Merritt was born in Philadelphia to an affluent Quaker family. Her father, Joseph Lea Jr., owned cotton manufacturing and printing factories, and three of her five younger sisters also developed careers in the visual and performing arts. [Her mother was Susanna (Massey) Lea.]
As a young girl, Lea attended politically progressive schools and studied classics, languages, mathematics, and music with private tutors. Initially, she taught herself to paint, but later she studied anatomy at the Women’s Medical College in Philadelphia and, after moving to Europe with her family in 1865, she took art lessons with various masters in Italy, Germany, and France. At the start of the Franco-Prussian War, Lea settled in London, where her teacher—the British painter and picture restorer Henry Merritt—also became her mentor and, in April 1877, her husband. Unfortunately, he died just three months after their wedding. As a memorial, Anna taught herself to etch and produced a book of Henry Merritt’s criticism and fiction, illustrated with twenty-three of her prints [entitled "Art Criticism and Romance"]." - from CLARA
"She received a diploma and medal at the Centennial exposition, Philadelphia, 1876, and was until 1901 a constant exhibitor at the Royal Academy; was elected a member of the Royal Society of Painter-Etchers, London, and received an award and medal in the British section of the World's Columbian exposition, Chicago, 1893, for a large decoration in the vestibule of the Women's building. After 1890 she made her home chiefly in a retired village in Hampshire. England, giving much time to subjects suggested by country scenes. The summers of 1894 and 1895 were devoted to mural paintings for St. Martin's Church, near Wonersh, Surrey, England. She etched [among others] two portraits of Mary Wollstonecraft (1879); portrait of Sir Gilbert Scott (after George Richmond) (1883); portrait of Ellen Terry as Ophelia; and portrait of James Russell Lowell. She painted, among other pictures: 'Portrait of a Young Lady'; 'The Pied Piper of Hamelin' (1872); 'St. Cecilia' (1886); 'War' (1883); 'Eve Overcome by Remorse' (1885), which obtained a medal and award from the British section at the Chicago World's Fair, 1893; 'Camilla' (1883), honorable mention Paris exposition, 1889; 'Love Locked Out' (1890) purchased by the Chantrey fund and ultimately placed in the National Gallery of British Art; 'When the World Was Young' (1891); 'A Piping Shepherd' (1895) purchased by the Pennsylvania Academy of Fine Arts; 'The Narrow Way', and 'I Will Give You Rest'. Of her many portraits the more important include: 'General Dix' (1876); 'Lady Dufferin' (1877); 'James Russell Lowell' (1882); 'Miss Marion Lea', her sister (1887) [an actress - married Langdon Mitchell]; 'General the Earl of Dundonald and Countess Dundonald' (1887). Mrs. Merritt is the author of several magazine articles on gardening [principally in the Century and Lippincott's], and of a book, illustrated by herself, entitled: 'A Hamlet in Old Hampshire' (1901)." - from The twentieth century biographical dictionary of notable Americans ... 1904.
(In 1981, Love Locked Out: The Memoirs of Anna Lea Merritt with a Checklist of Her Works was published by the Boston Museum of Fine Arts.)

CLARA - National Museum of Women in the Arts
1. Anna Lea Merritt (from The twentieth century biographical dictionary of notable Americans ... 1904)
2. A Duet
3. Etching of Ophelia
4. Etching of Ellen Terry as Opelia
(Etching of Ellen Terry as Ophelia © National Portrait Gallery)
Art criticism and romance: with recollections, and 23 etchings
The Royal Academy of Arts: a complete dictionary of contributors and their work from ... 1769-1904, Volume 5 - with listings for Anna Lea Merritt.
[PDF] file - Guide to the Anna Lea Merritt Papers - from the National Museum of Women in the Arts (Washington, D.C.). With a list of 40 photographs of works by the artist.

Anna Lea Merritt

War


A Patrician Mother


Love Locked Out

The Tate Collection

Lamia, The Serpent Woman

Anna Lea Merritt - A hamlet in old Hampshire

Anna Lea Merritt's home from 1890 - The Limes, Hurstbourne-Tarrant, near Andover, Hampshire, England

Illustration details from A hamlet in old Hampshire, 1902

From Google Books

Photograph and Self-Portrait of Anna Lea Merritt - and a book, An Artist's Garden

Photograph of Anna Lea Merritt taken by Frederick Hollyer
Courtesy V&A Museum

Self-Portrait

An artist's garden: tended, painted, described
London: George Allen & Sons, 1908.
1st edition
biblio.co.uk

Click on the label, Anna Lea Merritt, below for more postings about the artist.

Anna Lea Merritt

Portrait of a young lady , 1881

signed and dated 1881
oil on canvas
54 x 42cm (21 1/4 x 16 9/16in).
(Bonhams)

A Print of Merry Maids

Print on paper
96 by 123 cm
Printed by Raphael Tuck & Sons
(Sotheby's)
The painting was exhibited in 1900 by the New York Society of American Artists - and at the Royal Academy, London in 1899.

Eve, 1885

(Christie's)

Anna Lea Merritt (American, 1844-1930)

Portrait of a young girl holding a posy of roses, 1907

monogrammed and dated 'ALM 1907', oil on canvas
62 x 38cm (24 7/16 x 14 15/16in)

(Bonhams)

The Little Quakeress

oil on canvas, signed and dated 'Anna Lea Merritt 1881'

lower right remains of a handwritten label verso inscribed 'No 1, Little Quakeress' and Espace Co Ltd gallery label verso, 77 x 133cm, Accompanied by a Cooling Galleries, London, certificate, Exhibited: Royal Academy, 1881.
Bonhams & Goodman